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項(xiàng)目名稱 | 驀然回首，那人卻在燈火闌珊處
設(shè)計(jì)單位 | 貴州楊子環(huán)境藝術(shù)設(shè)計(jì)有限公司
主案設(shè)計(jì) | 楊波 陳鵬
項(xiàng)目面積 | 700M2
項(xiàng)目造價(jià) | 78萬

設(shè)計(jì)感悟 / Design insights
這件作品的設(shè)計(jì)從LOGO開始的，因?yàn)槭潜本┛绝啠匀粫?huì)想到北京的印象，天安門的拱門與烤鴨爐形狀很像，天安門的挑檐也很有象征性，所以就設(shè)計(jì)了它的LOGO。再后來就想到了老北京人的習(xí)慣，很多人會(huì)帶著很多鳥籠出來遛鳥，到了一個(gè)地方會(huì)很自然地把鳥籠掛在樹梢上。這個(gè)畫面對(duì)我的印象特別深，于是就把這些用于室內(nèi)場(chǎng)景中，整體用了低調(diào)性的空間色彩來打造，用黑色來映襯紅色，原木的質(zhì)感和色彩過渡空間，用梳理出來的幾個(gè)基礎(chǔ)形做了一次打散重組，再引入一些天然的樹枝軟化空間，以達(dá)到想表達(dá)的度。
由于有了剛開始二維圖案化的符號(hào)梳理，所以整體空間雜而不亂，鳥籠的錯(cuò)落加之里面或明或暗的燈光是為了表達(dá)北京印象里面另一個(gè)燈火闌珊的畫面，這個(gè)畫面始終貫穿在整個(gè)創(chuàng)作過程中。
The design of this work started from the LOGO, because it is Beijing Roast Duck, naturally think of the impression of Beijing, Tian \\\'anmen arch and roast duck stove shape is similar, Tian \\\'anmen Cornice is also very symbolic, so designed its LOGO. Then I thought of the Old Beijing People\\\'s habits, many people will take a lot of bird cage out for a walk, to a place will be a natural bird cage hanging in the treetops. I was particularly impressed with this image, so I used these in the interior scenes, using low-key space colors to create the overall, using black to set off the red, the wood texture and color transition space, with the comb out of a few basic form to do a break reorganization, and then introduce some natural branches softening space, to achieve the degree of expression. As a result of the initial two-dimensional pattern of the symbol comb, so the overall space is messy and not messy, the bird cage scattered in addition to the inside or dark or bright lights is to express the impression of Beijing inside another light-flaring picture, this picture has been running through the whole creative process.