軸端定義
參考造價：暫未填寫|
風格：其他| 空間：其他|
面積：240平米|
瀏覽數：991
案例簡介 Case description
于通過室內建筑的方式來梳理內絡和結構，再對其界限進行重組和再打破，借助既定的格局來強化對相關設計語言的引導性敘述，也意在為項目注入更多的可對外傳輸點，以此來更有效的反饋到對自身空間的操作性思考。不設內與外的精準界限，試圖通過再結合的方式來連接人與空間，人與人及人與環境的情感維系，也透過更多維的角度發散去重拾日常所被忽略的斷層，讓回歸的意義更落實到日常和更為平凡的事件，再通過我們自己的方式去挖掘更多不同的生活方式探討和對人性的再思考，讓空間更具可考究及情感共鳴的建立。
By means of indoor architecture, the inner network and structure can be sorted out, and then the boundaries can be reorganized and broken down again. By means of the established pattern, the guiding narration of relevant design languages can be strengthened, it is also intended to inject more external transfer points into the project, so as to more effectively feed back into the operational thinking of its own space.
There is no precise boundary between inside and outside, trying to connect people with space, people with people and the emotional relationship between people and the environment through a combination of ways, but also through a more dimensional perspective to rediscover the daily neglected fault, let the meaning of return more into the daily and more ordinary events, then through our own way to explore more different ways of life and re-thinking of human nature, so that the space can be more meaningful and emotional resonance.
探索事物于不同角度的發散認知,以相對述平化的方式
Explore the divergent cognition of things from different angles, in a relatively flat way
來闡述其內在諸多的復雜可能性,挖掘更多不同的生活方式探討和對人性的再思考,讓空間更具可考究及情感共鳴的建立...
To elaborate its many complex possibilities, explore more different ways of life and rethink human nature, so that the space can be more tractable and the establishment of emotional resonance...
Explore the divergent cognition of things from different angles, in a relatively flat way
來闡述其內在諸多的復雜可能性,挖掘更多不同的生活方式探討和對人性的再思考,讓空間更具可考究及情感共鳴的建立...
To elaborate its many complex possibilities, explore more different ways of life and rethink human nature, so that the space can be more tractable and the establishment of emotional resonance...
于‘秩序性’
On the order_
借助內結構脈絡的邏輯梳理，來強化對其‘設計語言’的拆分敘述，以此來建造更多的延伸組合可能性，且反饋到‘木作’本身的體系與其相關的材質過渡及銜接，由此來解說該品牌定位的體系建立，與金屬、與巖板、石材及漆面工藝...
Use comb structure within the context of the logic, to strengthen the 'design language of the resolution, in order to build more extended combination possibilities, and feedback to the' wooden 'itself system with related material transition and cohesion, which illustrate the brand positioning system, and metal, and the rock, stone material and paint process...
On the order_
借助內結構脈絡的邏輯梳理，來強化對其‘設計語言’的拆分敘述，以此來建造更多的延伸組合可能性，且反饋到‘木作’本身的體系與其相關的材質過渡及銜接，由此來解說該品牌定位的體系建立，與金屬、與巖板、石材及漆面工藝...
Use comb structure within the context of the logic, to strengthen the 'design language of the resolution, in order to build more extended combination possibilities, and feedback to the' wooden 'itself system with related material transition and cohesion, which illustrate the brand positioning system, and metal, and the rock, stone material and paint process...
于‘建構性’
On 'Constructivism'_
以‘再建構’的方式來作為木作品牌的切入及內部探索，組件的拆分及重組，連貫著單件的組合性，以‘分散’來對應整體的切割依據，擴展各分區的組合構件。
The way of "re-construction" is used as the entry and internal exploration of the wood brand. The split and reorganization of components are consistent with the combination of single pieces. The "dispersion" corresponds to the cutting basis of the whole, and the combined components of each partition are expanded.
On 'Constructivism'_
以‘再建構’的方式來作為木作品牌的切入及內部探索，組件的拆分及重組，連貫著單件的組合性，以‘分散’來對應整體的切割依據，擴展各分區的組合構件。
The way of "re-construction" is used as the entry and internal exploration of the wood brand. The split and reorganization of components are consistent with the combination of single pieces. The "dispersion" corresponds to the cutting basis of the whole, and the combined components of each partition are expanded.
于‘情緒空間化’
On 'Emotion spatialization'_
諸如體驗后的感官變化，同行為于人所延伸的情緒使然，二者的矛盾及碰撞，所制造的思考過程，更貼近體態之中的自然，于空間而暢所己想。
For example, the sensory changes after the experience, and the extended emotions caused by the behavior, the contradiction and collision of the two make the thinking process closer to the nature in the body, and free one's mind in the space.
On 'Emotion spatialization'_
諸如體驗后的感官變化，同行為于人所延伸的情緒使然，二者的矛盾及碰撞，所制造的思考過程，更貼近體態之中的自然，于空間而暢所己想。
For example, the sensory changes after the experience, and the extended emotions caused by the behavior, the contradiction and collision of the two make the thinking process closer to the nature in the body, and free one's mind in the space.
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